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Some players even fondly refer to their Deluxe Reverb as their “desert island” amp. Mic’d, they can be used on large stages and even fare well in outdoor concerts.Still, with this amp, you get a lot of oomph and versatility in a compact and relatively light package.These amps, fondly referred to as the “lunch box,” were sold by the thousands to students and professionals alike.Immediately popular for studio use, they also found favor from musicians playing small gigs.Overshadowed by the Princeton Reverb, which is widely considered one of the most famous studio amps ever built, the non-reverb Princeton is a sleeper hit.Its existence in the shadow of its reverb-capable brother is a shame, as it offers some of the finest pure Fender tones you can find in a compact package.

Cosmetically, the amps featured the aforementioned black control panels with white lettering, black tolex protective covering, and silver thread grille cloth.Blackface amps were immediately popular upon release and used on numerous famous recordings.They continue to be a backline and recording mainstay of musicians who seek a great, chimey Fender clean and, when pushed, a classic overdriven tone.A short-lived model, it was discontinued by mid-1964.Still, a lot of sound output for the money—and they tend to sell for a lot less than the similar-looking Super Reverb amps.

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