Radiocarbon dating the shroud of turin No credit card needed nude web chat

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The image was seared on the linen after the bloodstains.The fact that the bloodstains retain their reddish colour is evidence that the blood came from a person under extreme duress.In 1987 the Shroud was subjected to carbon-14 dating technology which dated it to the 13th century.Predictably, the result has been criticised for a range of reasons.In addition, traces of the spices used for Jewish burial have been discovered. The bloodstains on the Shroud are real human blood, not paint.The flow of the blood accurately reflects crucifixion and subsequent burial.

This technology uses infra-red light and spectroscopy to measure the radiation intensity through wavelengths, and from these measurements a date can be calculated.The image of the man on the Shroud can be read by 3D imaging technology. In addition, medieval paintings show the nails in the palm of Christ’s hands, the Shroud shows the nail wounds in his wrists which is anatomically correct.The flesh of the palms would not have supported the weight of the man’s body. Pollen from the Shroud is not only from the Jerusalem area, but from Turkey and the other places the Shroud is supposed to have resided.The most recent finding again suggests that the crucified man was tortured. The cloth is consistent with fabrics from first-century Israel, but not with medieval Europe.A forger would have had to not only forge the image, but would have had to have detailed knowledge of linen weaves of the first century and then not only reproduce it, but age it convincingly.

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